"Filmmaking isn’t if you can just strap on a camera onto an actor, and steadicam, and point it at their face, and follow them through the movie, that is not what moviemaking is, that is not what it’s about. It’s not just about getting a performance. It’s also about the psychology of the cinematic moment, and the psychology of the presentation of that, of that window."Well, here we are guys, days before most of you get to see Gone Girl and about 2 weeks until I get to see it (no, seriously, fuck my life) we reached the end of my David Fincher Blog Event. Hopefully you guys liked the series and perhaps it even got you in the mood to watch or rewatch some of his movies.
Fincher, a guy who is nicknamed 'the prince of darkness', is for me the most talented director working right now. And hopefully through one of my lists it was also evident that this guy has a great sense of humour, a knowledge that may come quite handy when you realize just how many hilarious things there are in Gone Girl.
But don't worry, it's still dark, creepy and morally repugnant. Fincher you know and love.

When people talk about Morgan Freeman nowadays they tend to talk about how his laziness is almost up there on the levels of tardiness depicted by Johnny Depp's recent professional behaviour which is quite frankly embarrassing to witness. They talk how he stumbled from the set of Transcendence right to the set of Lucy without so much noticing the difference, or at least so it looks judging by the quality of his performances and the level of interest he seems to have in the projects. And when people talk of David Fincher's Se7en they always, always sing praises for Kevin Spacey, hailing his John Doe as one of the most memorable cinematic killers and nominating his performance left and right, completely ignoring everyone else who is in this movie. Let's break these two patterns, shall we?