Showing posts with label Nicolas Winding Refn. Show all posts
Showing posts with label Nicolas Winding Refn. Show all posts

Wednesday, September 7, 2016

The Neon Demon

By s. Wednesday, September 7, 2016 , , , , , , , 18 Comments

Nicolas Winding Refn is a weird guy. We all heard of his bizarre feud with Lars Von Trier. Apparently throughout production the of The Neon Demon, when filming was to resume, he wouldn't yell "Action!" to set things in motion. Instead he yelled "Violence, motherfuckers". Then there is the fact he is one of the directors who uses the color best in modern movies, yet apparently he is color blind and can only perceive contrast. Then it turns out he is one of those dudes who would use those takes that went a bit too real than they were supposed to - Abbey Lee accidentally punched Elle Fanning for real. Because of Fanning's genuine reaction, Refn ended up using that take for the final cut.

Thursday, March 22, 2012

Drive

By s. Thursday, March 22, 2012 , , , , , , , , 20 Comments
89/100 (100 min, 2011)
Plot: A mysterious Hollywood stuntman, mechanic and getaway driver lands himself in trouble when he helps out his neighbour.
Director: Nicolas Winding Refn
Writers: Hossein Amini (screenplay), James Sallis (book)
Stars: Ryan Gosling, Carey Mulligan and Bryan Cranston

"There is always some madness in love. 
But there is also always some reason in madness."
— Friedrich Nietzsche 
 "Whatever is left of me, whatever is left of me...I'm yours."

"Drive", the movie sensation of 2011, has swept away most of the people who have seen it. Why? Stylistically the movie is just amazing - from the very first minutes the pictures just flow into the night, with shining, blurred lights in the distance and you get the feeling as if you were driving along with the main hero. The film never loses its dreamy, evanescent quality - the camera movements are steady and the takes are long, the images just flow before our eyes creating one breezy atmosphere which is curiously contrasted with the violence and the gore that we occasionally see in the movie.

What adds to the film is another reason for its popularity - the amazing soundtrack consisting of original score by Cliff Martinez, which for some reason brings to mind driving on the empty streets during night. The album also contains great synthpop pieces that feel very old school and may as well be something which Quentin Tarantino would love to use in certain scenes in Kill Bill Volume 2. From the beginning to the very end, the movie never betrays the amazing climate it established, pulling as deep into the story as if it was a dream.

Tuesday, October 25, 2011

Scene of the Week: Drive

By s. Tuesday, October 25, 2011 , , 2 Comments
Drive
directed by Nicolas Winding Refn

The scene: When the driver (Ryan Gosling) gets in the elevator with Irene (Carey Mulligan) his neighbor he is falling in love with and unkown man he suddenly notices a gun in the man's pocket. Knowing that the man was sent after him and Irene, the driver pushes her to the end of the elevator and decides to kiss her - for the first and last time - before he begins senselessy kicking man's head and killing him. Irene, previously oblivious to the fact the driver is capable of unimaginable violence slowly exits the elevator and stares at him shocked, while he looks apologetic knowing that even though he just saved her life she will never look at him the same way as before.